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I Borrow Aunt Ruby's Jane Eyre

Its olive greenness is already haunted, the spine

stiff with importance, lettered in gold

 

with wood engravings. I am barely twelve

when I open it, and the crocodile queue of girls

 

shuffles towards me off the cover, their starved faces

cut-out hearts and triangles, chins sharp enough

 

to slice bread. Their centre-partings are razor-ruled

in white, stretch from taut scalps. I gaze for hours

 

into the eyes of the only queue-waif who’s dared

to look up, my sister in literature, sent away

after her mother’s early death, to the bleakness

of boarding school, by an aunt who despises her.

 

I gorge on the gothic horror, the fodder of nightmares

that advances, gargoyle-faced as I turn each page:

 

the downcast eyes, the meagre capes, the cobblestone-

chill that seeps into boots unmended or too thin.

 

Flushed with deprivation or consumption, I crave

the cool hands of a friend, of a mother, When I return

 

the book to Aunt Ruby, handled with care, it is bone-clean,

unblemished; no blood, no sputum, no love.

Joint 3rd prize Frogmore Competition 2009
Published in the Frogmore Papers no 74

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